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Abstract Expressionism and Pop Art
American Abstract Expressionist painters grew rich in the 1940s; working on a grand scale, they produced astonishing images that concentrated on ‘colour and form’ rather than ‘subject’. In the 1950s-60s young artists, in the USA and Britain, came up with a sharply contrasting style: Pop Art, based around magazines and TV culture, was gimmicky and fun, with a biting edge.
24-page teaching notes
Specimen list of cards
DE KOONING, WILLEM
Woman, c. 1952
GORKY, ASHILE
The liver is the cock's comb, 1944
HAMILTON, RICHARD
Interior II, 1964
JOHNS, JASPER
Beer cans, 1960
Orange flag, 1957
KIENHOLZ, EDWARD
Portable war memorial, 1968
KLINE, FRANZ
New York, N.Y., 1953
LICHTENSTEIN, ROY
*In the car
LOUIS, MORRIS
Alpha-Phi, 1961
MOTHERWELL, ROBERT
Elergy to the Spanish Republic, 1953-4
NEWMAN, BARNETT
First Station, 1958
NOLAND, KENNETH
Gift, 1961-62
OLDENBURG, CLAES
Giant gym shoes, 1963
OLDENBURG, CLAES (cont.)
Lipsticks in Piccadilly Circus, 1966
Two cheeseburgers with everything, 1962
PAOLOZZI, EDUARDO
Wittgenstein at the Cinema, 1965
POLLOCK, JACKSON
Number 17A, 1948
She-wolf, 1943
RAUSCHENBERG, ROBERT
Winter pool, 1959
ROSENQUIST, JAMES
Marilyn Monroe, 1962
ROTHKO, MARK
Light red over black, 1957
STELLA, FRANK
Hyena stomp, 1962
STILL, CLYFFORD
1975-D No.1, 1957
WARHOL, ANDY
Marilyn, 1967
WESSELMANN, TOM
Great American nude 2, 1961
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